Normally when I come to Spain, I usually fly and in and out of Madrid but I don’t normally spend a lot of time in the city because I’ve been here before and mainly spent a little extra time here to explore El Escorial. I visited this impressive royal palace, monastery, pantheon, library and more a long time ago. Although I was impressed, I was ignorant to the true historical significance of the place. So for me, spending an extra couple of nights in Madrid was all about seeing the Royal Site of San Lorenzo de El Escorial again, the Valley of the Fallen and eating as much Gambas al Ajillo, shrimp cooked in olive oil with red chili peppers and garlic, as I could.
El Escorial was conceived by King Philip II who wanted a building to serve multiple purposes like a burial place for his father, the Holy Roman Emperor Charles V, a monastery, royal palace, pantheon, library and more. Construction of El Escorial began in 1563 and ended in 1584.
Located about 28 miles or 45 kilometers northwest of Madrid, El Escorial is considered the largest Renaissance building in the world and a UNESCO World Heritage Site.
Five miles or so away from El Escorial is the Basilica of The Valley of the Fallen cut into the Sierra de Guadarrama mountain range, this stunning yet controversial monument built by the fascist dictator Francisco Franco is at the center of Spain’s ongoing national reckoning with its past. Inside, the monument, carved into the mountain, is the resting place for some 33,000 Spainards who died in Spain’s Civil War (1936-1939).
And, last but not least, I feasted on Gambas al Ajillo at La Casa del Abuelo. This is one of my most favorite dishes to eat when I come to Spain and now this restaurant has become one of my favorites too. Here’s to the the stunning El Escorial, the Valley of the Fallen and my time in Madrid.
The Royal Site of San Lorenzo de El Escorial. Photo by Zvonimir Stamenov.
Getting in a selfie at the Royal Site of San Lorenzo de El Escorial just outside of Madrid with its beautifully manicured garden. (Aug. 29, 2024)
The Royal Site of San Lorenzo de El Escorial just outside of Madrid with its beautifully manicured garden. (Aug. 29, 2024)
The Royal Site of San Lorenzo de El Escorial is a massive rectangular gray granite complex built at the foothills of the Sierra de Guadarrama, north of Madrid. Its design was created by Juan Bautista de Toledo, Spanish pupil of Michelangelo during the works of the Vatican Basilica, and completed by Juan de Herrera after Toledo’s death. (Aug. 29, 2024)
Walking towards west facade and main entrance of El Escorial. (Aug. 29, 2024)
The west facade and main entrance of El Escorial. (Aug. 29, 2024)
The lengthy west facade of El Escorial. (Aug. 29, 2024)
El Escorial is situated at the foot of Mount Abantos in the Sierra de Guadarrama. (Aug. 29, 2024)
Me at the west facade and main entrance of El Escorial. Above the center door is a niche where the image of Saint Lawrence has been placed. (Aug. 29, 2024)
Entering the Courtyard of the Kings at the main entrance to El Escorial. (Aug. 29, 2024)
The Courtyard of the Kings at El Escorial owes its name to the statues of the kings of Judah that adorn the façade of the basilica, located at the east end of the courtyard. (Aug. 29, 2024)
The Courtyard of the Kings at El Escorial owes its name to the statues of the kings of Judah that adorn the façade of the basilica, located at the east end of the courtyard. (Aug. 29, 2024)
A close-up of the the statues of the kings of Judah that adorn the façade of the basilica, located at the east end of the Courtyard of the Kings at El Escorial. (Aug. 29, 2024)
The Galleries of the main Cloister, at El Escorial are decorated with 54 fresco paintings depicting the History of Redemption, from the birth of the Virgin to the Last Judgement, arranged from the Procession Door that connects the Cloister with the Church. (Aug. 29, 2024)
The Galleries of the main Cloister, at El Escorial are decorated with 54 fresco paintings depicting the History of Redemption, from the birth of the Virgin to the Last Judgement, arranged from the Procession Door that connects the Cloister with the Church. (Aug. 29, 2024)
The Galleries of the main Cloister, at El Escorial are decorated with 54 fresco paintings depicting the History of Redemption, from the birth of the Virgin to the Last Judgement, arranged from the Procession Door that connects the Cloister with the Church. (Aug. 29, 2024)
The main staircase of the Monastery of San Lorenzo de El Escorial with “The Glory of the Spanish Monarchy” ceiling fresco. Painted by the artist Luca Giordano, it was commissioned by King Charles II in 1692 and depicts scenes celebrating the grandeur of the Spanish monarchy. (Aug. 29, 2024)
Me at the main staircase of the Monastery of San Lorenzo de El Escorial with “The Glory of the Spanish Monarchy” ceiling fresco. Painted by the artist Luca Giordano, it was commissioned by King Charles II in 1692 and depicts scenes celebrating the grandeur of the Spanish monarchy. (Aug. 29, 2024)
“The Glory of the Spanish Monarchy” ceiling fresco atop the main staircase of the Monastery of San Lorenzo de El Escorial. Painted by the artist Luca Giordano, it was commissioned by King Charles II in 1692 and depicts scenes celebrating the grandeur of the Spanish monarchy. (Aug. 29, 2024)
“The Glory of the Spanish Monarchy” ceiling fresco atop the main staircase of the Monastery of San Lorenzo de El Escorial. Painted by the artist Luca Giordano, it was commissioned by King Charles II in 1692 and depicts scenes celebrating the grandeur of the Spanish monarchy. (Aug. 29, 2024)
A close-up of a portion of “The Glory of the Spanish Monarchy” ceiling fresco atop the main staircase of the Monastery of San Lorenzo de El Escorial. Painted by the artist Luca Giordano, it was commissioned by King Charles II in 1692 and depicts scenes celebrating the grandeur of the Spanish monarchy. (Aug. 29, 2024)
The “Martyrdom of Saint Maurice” painting by El Greco between 1580-1582 is located at the Royal Monastery of San Lorenzo de El Escorial. (Aug. 29, 2024)
The “Martyrdom of Saint Maurice” painting by El Greco between 1580-1582 is located at the Royal Monastery of San Lorenzo de El Escorial. Maurice is shown in a blue breastplate and red tunic in the right foreground, surrounded by the officers of his legion while they decide whether to sacrifice to the pagan gods or accept martyrdom. (Aug. 29, 2024)
The “Martyrdom of Saint Maurice” painting by El Greco between 1580-1582 is located at the Royal Monastery of San Lorenzo de El Escorial. Maurice is shown in a blue breastplate and red tunic in the right foreground, surrounded by the officers of his legion while they decide whether to sacrifice to the pagan gods or accept martyrdom. (Aug. 29, 2024)
Walking down to the Royal Pantheon a mausoleum that houses the remains of the Spanish royal family in the Royal Monastery of San Lorenzo de El Escorial. The Royal Pantheon, located beneath the basilica, is the gilded resting place of 400 years of Spanish monarchs including the final resting place of princes, princesses and consorts other than the parents of monarchs. (Aug. 29, 2024)
The Pantheon de Infantes are the burial chapels for the princes, princesses and consorts other than the parents of the monarchs at El Escorial. (Aug. 29, 2024)
The Pantheon de Infantes are the burial chapels for the princes, princesses and consorts other than the parents of the monarchs at El Escorial. (Aug. 29, 2024)
The Pantheon de Infantes are the burial chapels for the princes, princesses and consorts other than the parents of the monarchs at El Escorial. (Aug. 29, 2024)
The Pantheon de Infantes are the burial chapels for the princes, princesses and consorts other than the parents of the monarchs at El Escorial. (Aug. 29, 2024)
The Royal Site of San Lorenzo de El Escorial. Photo by Zvonimir Stamenov.
The Pantheon de Infantes are the burial chapels for the princes, princesses and consorts other than the parents of the monarchs at El Escorial. (Aug. 29, 2024)
The Royal Pantheon or Crypt contains the tombs of most of the the monarchs of the Bourbon and Austrian houses including the Holy Roman Emperor Charles V (who ruled Spain as King Charles I), Philip II, Philip III, Philip IV, Charles II, Louis I, Charles III, Charles IV, Ferdinand VII, Isabella II, Alfonso XII, and Alfonso XIII. King Philip II, who built El Escorial between 1563 and 1584, wanted a place to hold the remains of his parents, his own remains and the remains of his descendants. Photos are not allowed inside the Royal Crypt. This photo is from the turismomadrid.es. (Aug. 29, 2024)
The Palace of the Hapsburgs, known as the Royal Palace of El Escorial, which served as the residence of King Philip II and subsequent Spanish monarchs. (Aug. 29, 2024)
The Palace of the Habsburgs, known as the Royal Palace of El Escorial, which served as the residence of King Philip II and subsequent Spanish monarchs. (Aug. 29, 2024)
The Palace of the Habsburgs, known as the Royal Palace of El Escorial, which served as the residence of King Philip II and subsequent Spanish monarchs. (Aug. 29, 2024)
The Palace of the Habsburgs, known as the Royal Palace of El Escorial, which served as the residence of King Philip II and subsequent Spanish monarchs. (Aug. 29, 2024)
A Portrait of Philip II in Armour from 1557 at in the Palace of the Hapsburgs also known as the Royal Palace of El Escorial. (Aug. 29, 2024)
The Palace of the Habsburgs, known as the Royal Palace of El Escorial, which served as the residence of King Philip II and subsequent Spanish monarchs. (Aug. 29, 2024)
The Palace of the Habsburgs, known as the Royal Palace of El Escorial, which served as the residence of King Philip II and subsequent Spanish monarchs. (Aug. 29, 2024)
The so-called “King’s Room” inside the Palace of the Habsburgs, known as the Royal Palace of El Escorial is where Philip II lived and died. It overlooks the church chapel, so that the monarch could attend the liturgy from his bed when he was ill. (Aug. 29, 2024)
The so-called “King’s Room” inside the Palace of the Habsburgs, known as the Royal Palace of El Escorial is where Philip II lived and died. It overlooks the church chapel, so that the monarch could attend the liturgy from his bed when he was ill. (Aug. 29, 2024)
Views of the gardens from inside the “Palace of the Hapsburg” residence located within the larger complex of the Royal Monastery of San Lorenzo de El Escorial, which was built by King Philip II of Spain, a prominent Hapsburg ruler, as a symbol of his dynasty’s power and legacy. (Aug. 29, 2024)
Views of the gardens from inside the “Palace of the Hapsburg” residence located within the larger complex of the Royal Monastery of San Lorenzo de El Escorial, which was built by King Philip II of Spain, a prominent Hapsburg ruler, as a symbol of his dynasty’s power and legacy. (Aug. 29, 2024)
The Hall of Battles is a large corridor located in the administrative area of El Escorial. The wall is entirely decorated with frescoes that depict some of the major battles won by the Spanish army from the period of the Reconquista to the reign of Philip II. (Aug. 29, 2024)
A close-up of part of the fresco along the large corridor of the Hall of Battles that depicts some of the major battles won by the Spanish army from the period of the Reconquista to the reign of Philip II. (Aug. 29, 2024)
A close-up of part of the fresco along the large corridor of the Hall of Battles that depicts some of the major battles won by the Spanish army from the period of the Reconquista to the reign of Philip II. (Aug. 29, 2024)
The Teniers Tapestry Room of the Bourbon Palace at El Escorial It is decorated with tapestries inspired by paintings by Teniers. With the change of dynasty in 1700, the kings of the House of Bourbon continued to visit El Escorial in the autumn. Charles III, who ruled Spain from 1759 to 1788, decided to modify certain areas creating rooms in the French fashion. (Aug. 29, 2024)
The Teniers Tapestry Room of the Bourbon Palace at El Escorial It is decorated with tapestries inspired by paintings by Teniers. With the change of dynasty in 1700, the kings of the House of Bourbon continued to visit El Escorial in the autumn. Charles III, who ruled Spain from 1759 to 1788, decided to modify certain areas of the monastery to adapt the quarters of the Princes of Asturias, creating rooms in the French fashion. (Aug. 29, 2024)
With the change of dynasty in 1700, the kings of the House of Bourbon continued to visit El Escorial in the autumn. Charles III, who ruled Spain from 1759 to 1788, decided to modify certain areas of the monastery to adapt the quarters of the Princes of Asturias, creating rooms in the French fashion. (Aug. 29, 2024)
The King’s Room of the Bourbon Palace in El Escorial. With the change of dynasty in 1700, the kings of the House of Bourbon continued to visit El Escorial in the autumn. Charles III, who ruled Spain from 1759 to 1788, decided to modify certain areas of the monastery to adapt the quarters of the Princes of Asturias, creating rooms in the French fashion. (Aug. 29, 2024)
Hall of Ambassadors of the Bourbon Palace in El Escorial. This is one of the king’s most stately rooms. It is one of the king’s most stately rooms. It was where the king was ceremonially greeted and ate publicly before the court. With the change of dynasty in 1700, the kings of the House of Bourbon continued to visit El Escorial in the autumn. Charles III, who ruled Spain from 1759 to 1788, decided to modify certain areas of the monastery to adapt the quarters of the Princes of Asturias, creating rooms in the French fashion. (Aug. 29, 2024)
The State Dining Room of the Bourbon Palace at El Escorial. With the change of dynasty in 1700, the kings of the House of Bourbon continued to visit El Escorial in the autumn. Charles III, who ruled Spain from 1759 to 1788, decided to modify certain areas of the monastery to adapt the quarters of the Princes of Asturias, creating rooms in the French fashion. (Aug. 29, 2024)
Entering the Royal Basilica of San Lorenzo de El Escorial, the Roman Catholic Church where funerals of the royal family are held. The Royal Pantheon or Crypt is below the basilica where the Royal family is buried. (Aug. 29, 2024)
The central nave of the Basilica of San Lorenzo de El Escorial. The basilica is the architectural heart of El Escorial and reflects the soaring faith in God of Phillip II, who built El Escorial. (Aug. 29, 2024)
The High Altar of the Basilica of San Lorenzo de El Escorial. The basilica is the architectural heart of El Escorial and reflects the soaring faith in God of Phillip II, who built El Escorial. (Aug. 29, 2024)
The High Altar of the Basilica at El Escorial, consecrated in 1599, is adorned with jasper, colored marble and frescoes by Roman artists Pellegrino Tibaldi and Federico Zuccari. (Aug. 29, 2024)
Inside the Basilica at El Escorial. (Aug. 29, 2024)
Inside the Basilica at El Escorial. (Aug. 29, 2024)
The Royal Library at El Escorial. (Aug. 29, 2024)
The Royal Library at El Escorial. (Aug. 29, 2024)
The Royal Library at El Escorial. (Aug. 29, 2024)
The Royal Library at El Escorial. (Aug. 29, 2024)
Me at the Royal Library at El Escorial. (Aug. 29, 2024)
The Valley of the Fallen
The Valley of the Fallen, only seven miles away from El Escorial, is a Spanish monumental complex built between 1940 and 1958 by forced labor from political prisoners. It is synonymous with Francisco Franco, the fascist Spanish dictator who overthrew Spain’s Republic during the Spanish Civil War and ruled Spain from the end of its bloody Civil War in 1939 until his death in 1975. He ordered the memorial mausoleum to be built.
The war left behind widespread destruction of Spain’s infrastructure, severe economic decline, mass casualties among civilians due to aerial bombardments, widespread displacement of people and a deep societal divide caused by the brutal political polarization between the opposing sides. The Nationalists under General Francisco Franco and the Republicans under Francisco Largo Caballero and, later, Juan Negrín fought in the Spanish Civil War. The Nationalists were supported by Mussolini’s Italy and Nazi Germany. The victory of the Nationalist forces under Franco established a repressive dictatorship that further impacted Spanish society for decades.
The monument was literally built inside a dynamited-out mountain over 19 years using paid workers and the forced labor of Republican prisoners during Franco’s regime, which adds to the negative perception of the site. There are more than 33,000 bodies within its eight crypts of both Republican and Nationalist soldiers, but the most controversial burial was Franco’s from his death in November 1975 until his exhumation on Oct. 24, 2019 following a long and controversial legal process due to the removal of all public honors of his dictatorship.
According to most estimates, around 500,000 people died during the Spanish Civil War, including both soldiers and civilians, making it a very deadly conflict.
“The Valley of The Fallen” is a massive memorial among towering pine trees on the slopes of the Guadarrama mountains. This monument is unavoidably anchored to the fascist dictator Francisco Franco who overthrew Spain’s republic during the Spanish Civil War and ruled over Spain for more than three decades. (Aug. 29, 2024)
On the drive to El Escorial, I noticed this huge 492-foot- high cross towering over the Sierra Guadarrama mountainside but at the time, I did not realize that this huge memorial stone cross was at the Valley of the Fallen. (Aug. 29, 2024)
A side view of the Valley of the Fallen, which was built by the fascist Spanish dictator Francisco Franco in 1940. This very controversial monument built into the hillside where Franco used Republican prisoners as forced labor to build this basilica to house the bodies of some 33,000 war dead. While both sides are buried here, it is seen as a monument that only memorializes one side, the Nationalists who defeated the Spanish Republic in 1939. (Aug. 29, 2024)
The entrance the Valley of the Fallen, a memorial to the “fallen” of the Spanish Civil War from 1936-1939. This is the main entrance to the Basílica de la Santa Cruz del Valle de los Caídos, which translates to the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
Entering through the huge doors of the Valley of the Fallen, a memorial to the “fallen” of the Spanish Civil War from 1936-1939. This is the main entrance to the Basílica de la Santa Cruz del Valle de los Caídos, which translates to the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
The “Pieta”, below the cross and above the huge entrance door, at the Valley of the Fallen in Spain is a prominent sculpture depicting the Virgin Mary holding the body of Jesus Christ. The Pieta represents the mourning of the Virgin Mary for her son Jesus, and in the context of the Valley of the Fallen, it can be interpreted as a symbol of lament for the lives lost during the Spanish Civil War. (Aug. 29, 2024)
The huge carved bronze entrance doors into the Valley of the Fallen in Spain. (Aug. 29, 2024)
The huge carved bronze entrance doors into the Valley of the Fallen in Spain. (Aug. 29, 2024)
Continuing into the Valley of the Fallen on the way to the Basílica de la Santa Cruz del Valle de los Caídos, which translates to the Basilica of the Holy Cross of the Valley of the Fallen built deep into the Sierra de Guadarrama mountain range. (Aug. 29, 2024)
Continuing into the Valley of the Fallen heading to the wrought-iron main gate towards the long vaulted crypt to the Basilica of the Holy Cross deep inside the granite carved underground. (Aug. 29, 2024)
Continuing through the wrought-iron main gate of the Valley of the Fallen towards the long vaulted crypt to the Basilica of the Holy Cross deep inside the granite carved underground. (Aug. 29, 2024)
The main gate of the Valley of the Fallen in Spain is a set of wrought-iron gates flanked by two large art deco metal angels holding swords on each side of the gate. (Aug. 29, 2024)
One of two large art deco metal angels holding swords are on each side of the main wrought-iron gate of the Valley of the Fallen in Spain. (Aug. 29, 2024)
Walking down the main interior space, considered a ‘nave’ but is essentially a long and large vaulted crypt tunnel of the Valley of the Fallen carved out of solid granite towards the Basilica of the Holy Cross. This central nave, some 860 feet or 262 meters long, has six chapels along this tunnel-like area. (Aug. 29, 2024)
Walking down the main interior space, considered a ‘nave’ but is essentially a long and large vaulted crypt tunnel of the Valley of the Fallen carved out of solid granite towards the Basilica of the Holy Cross. This central nave, some 860 feet or 262 meters long, has six chapels along this tunnel-like area. (Aug. 29, 2024)
One of the six chapels flanking the tunnel-like nave is this Chapel of the Immaculate, the patroness of the Army of the Valley of the Fallen heading towards the Basilica of the Holy Cross deep into the mountain. The chapels are patron saints of the Army, Navy and Air Force. (Aug. 29, 2024)
The Chapel of Our Lady of Africa, one of six chapels flanking the tunnel-like nave towards the Basilica of the Holy Cross of the Valley of the Fallen. She is in memory of the beginning of the war. (Aug. 29, 2024)
The Chapel of Our Lady of Mount is one of six chapels flanking the tunnel-like nave towards the Basilica of the Holy Cross of the Valley of the Fallen. This chapel is devoted to our Lady of Mount Carmel, the Patron Saint of the Navy, whose representation appears over the entrance to the chapel. (Aug. 29, 2024)
Heading up the stairs into the Basilica of the Holy Cross of the Valley of the Fallen towards the pews to the high altar deep underground. (Aug. 29, 2024)
Walking through the pews towards the high alter into the Basilica of the Holy Cross of the Valley of the Fallen deep underground. (Aug. 29, 2024)
The side walls of the pews are decorated with hooded figures carved from stone towards the high alter into the Basilica of the Holy Cross of the Valley of the Fallen deep underground. (Aug. 29, 2024)
The side walls of the pews are decorated with hooded figures carved from stone towards the high alter into the Basilica of the Holy Cross of the Valley of the Fallen deep underground. (Aug. 29, 2024)
The side walls of the pews are decorated with hooded figures carved from stone towards the high alter into the Basilica of the Holy Cross of the Valley of the Fallen deep underground. (Aug. 29, 2024)
The high altar of the Basilica of the Holy Cross of the Valley of the Fallen with its mosaic dome ceiling and angel statues. And, the intricately carved, darkly-stained, wooden walnut choir stalls to the rear. (Aug. 29, 2024)
The high altar of the Basilica of the Holy Cross of the Valley of the Fallen with its mosaic dome ceiling and angel statues. And, the intricately carved, darkly-stained, wooden walnut choir stalls to the rear. (Aug. 29, 2024)
Sculptures of angels by the high altar of the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
The crucifixion of Jesus Christ at the high altar of the Basilica of the Holy Cross of the Valley of the Fallen with its mosaic dome ceiling and angel statues. (Aug. 29, 2024)
A close-up of the crucifixion of Jesus Christ at the high altar of the Basilica of the Holy Cross of the Valley of the Fallen with its mosaic dome ceiling and angel statues. (Aug. 29, 2024)
The Last Judgment ceiling mosaic above of the high altar of the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
A close-up of the Last Judgment ceiling mosaic above of the high altar of the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
A close-up of the Last Judgment ceiling mosaic above of the high altar of the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
The intricately carved, darkly-stained, wooden walnut choir stalls to the back vault of the high altar of the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
The intricately carved, darkly-stained, wooden walnut choir stalls to the back vault of the high altar of the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
The intricately carved, darkly-stained, wooden walnut choir stalls to the back vault of the high altar of the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
The intricately carved, darkly-stained, wooden walnut choir stalls to the back vault of the high altar of the Basilica of the Holy Cross of the Valley of the Fallen. (Aug. 29, 2024)
Francisco Franco, who ruled Spain as a fascist dictator from 1939 until his death in 1975, was buried under the black marble between the high altar and choir to the rear of the Basilica of the Holy Cross of the Valley of the Fallen from 1975 to 2019 when his remains were exhumed and removed from the basilica in an effort to discourage public veneration of the site. He fought a brutal war against democracy with the aid of Hitler in Germany and Mussolini in Italy after which he presided over a regime of state terror and national brainwashing through the controlled media and the state education system. (Aug. 29, 2024)
My favorite place, La Casa del Abuelo where I enjoyed my Gambas al Ajillo in Madri. (Aug. 29, 2024)
Me eating Gambas al Ajillo at my favorite place in Madrid, La Casa del Abuelo as my good-bye meal in Spain. It’s a dish of shrimp cooked in olive oil with red chili peppers and garlic. I also at this meal daily during my short time in Madrid. I just love it. (Aug. 29, 2024)
My last bowl of Gambas al Ajillo at La Casa del Abuelo. (Aug. 29, 2024)
Views of Madrid during my evening walk back to my hotel room at the Hotel Reginal in Madrid. (Aug. 29, 2024)
Views of Madrid during my evening walk back to my hotel room at the Hotel Reginal in Madrid. (Aug. 29, 2024)
My room at the Hotel Regina Madrid. (Aug. 27, 2024)
My room at the Hotel Regina Madrid. (Aug. 27, 2024)
My roomy bathroom at the Hotel Regina in Madrid. (Aug. 27, 2024)